Georges Seurat - Hi Painting Essay -- essays research papers

Georges Seurat spendd the pointillism approach and the use of color to make his pictorial matter, A Sunday Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked two years on this flick, preparing it woth at least twenty drawings and forty color sketched. In these precedent drawings he analyzed, in detail either color relationship and e rattling aspect of pictorial space. La Grande Jatte was like an experiment that involved posture depth, the broad landscape planes of color and light, and the way shadows were used. E realthing tends to come back to the outdoors of the picture, to emphasize and reiterate the two dimensional plane of which it was painted on. in like manner important worth mentioning is the way Seurat used and created the figures in the image.The famous painting A Sunday Afternoon on the Island of La Grande Jatte was painted amid 1885-1886. The subject is an island newly adopted by the Parisian middle score as a place for quiet Sunday gatherings. The painting looks really realistic. The figures and the way they argon dressed look lifelike as does the pleasing landscape in the background. The colour and the painting style, pointillism, make this painting very realistic. The question is, how does Seurat go about making the painting look so lifelike?Pointillism was a major reason in why Seurats painting looks so lifelike. During the painting of La Grande Jatte, Seurat simplified his brushwork to such an extent that his painting seems to be composed of nonhing but tiny, more or little circular dots. Seurat&8217s experiments with color led him to paint in clear dots of color which are arranged in such combinations that they seem to vibrate. somebody colors tend to interact with those around them and fuse in the shopping center of the viewer. This approach is not unlike the dots or pixels in a data processor image. If you magnify any computer image sufficently, you will see individual(a) colors that, w hen set together, produce an image. Seurat was interested in the way colors came about. With the enhancement of the luminousity of colors made possible by the investigation of scientific optics, he saw positive merit in a manner in which the movement of the brush no longer demanded the slightest skill &8216 here(predicate) the hand is, in effect, useless, deceit impossible no room for bravura i... ... regard for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spacial type is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective means is on the unspoiled, despite the fact that the composition is laid in rows mate to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orang e dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal midpoint level would actually be on different horizontal lines original at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a late lifelike painting rather than an academic history painting.